Lisa Vogt Art Adventure Blog: January 2019

You might wonder, what does upscale fusing mean?

Upscale fusing is the intentional pairing of complimentary design ideas to elevate the overall visual power of your artwork. It’s a simple concept that’s easily implemented. Combine this theory with your artistic flare, and you’ll rapidly advance your glass work from craft to fine art.

In the following examples I’ll show you how I put these ideas into practice.

Blue Beauty

Blue Beauty is a wonderful example of using visual texture to lure the viewer in and hold their attention. The woven center, made with iridized black strips, creates a focal point that intrigues the viewer. Then the linier band along the bottom invites the eye to move over and around the rest of the art. The tight linier pattern is also a welcome contrast to the openness of the background. Here, the airy color palate of blues and greens playfully call for further reflection.

Grape Tray

Grape Tray is terrific example of the power of shape to engage the viewer. This is a simple design, but the unique profile combined with the clever representation of the heavily patterned glass is a winning combination.

Fancy Feathers

Fancy Feathers is an example of reinforcing the focal point, the flashy peacock feather, by including a background that enhances the key subject. Here, I use a subtle pattern that represents the tight feathers that run along a peacock’s neck to add interest and purpose to the background. This is also a great example of going out of bounds by designing a unique shape that viewers don’t anticipate but love.

Lock & Key

Lock and Key is a fun example of how delivering a message can create a more intimate bond between the art and viewer. Here the recognizable images, the lock and key invite the viewer to linger longer to consider what deep message the artist might be trying to convey.

Amber Round

Amber Round is an excellent example of using color and pattern to seduce the viewer. Here the sweeping lines, contrasted by the solid black lines is a lively combination that’s irresistible.

Golden Aspen

Golden Aspen has it all. The striking imagery, embossed texture, tower style profile and custom glass pedestal give it a gallery quality, sculptural presence that viewers are drawn to. It’s the innovative combination of visual treats that make this piece of art memorable.

The individual techniques used to make these projects are easy. It’s the pairing of different methods that make these pieces of art exceptional. The work, and fun are in the planning and the execution.

On your next project, try blending two or three of your favorite techniques. The results will be nothing short of amazing.

Excerpt from Upscale Fusing Webinar January 31, 2019

Want to learn more? Join me for this LIVE, in-depth webinar this Thursday.

Happy fusing,

Lisa

Follow my blog for more tips and tricks!

Artist Website www.LisaVogt.net
YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Author Website https://lisajvogtcom.wordpress.com/

Twitter https://twitter.com/lisajvogt

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Upscale Fusing Webinar

Join me this Thursday, January 31, 2019

https://www.glasspatterns.com/en/glass-patterns-quarterly-store/product/1192-upscale-fusing-with-lisa-vogt-april-24-2018.html

Incorporating pattern and texture to elevate and refine your fusing style are the focus of this in-depth webinar.

Join me and learn how to tastefully blend various cutting-edge techniques to add dimension and volume to your work.

With the pro's secrets revealed, you'll be on the fast-track to developing winning combinations that will get your work noticed!

Advanced Glass Fusing 4-Day, Hands-on Workshop
February 5 – 8, 2019

Join me for this intense workshop held in my private studio.
Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

Are you ready to take your glass skills and talent to the next level and make exhibition quality artwork?

Join me for four exhilarating, fun-filled days of fusing. You’ll advance your own personal design style, make multiple exceptional large scale pieces of art and gain the confidence and know-how to take control of your artistic future.

This is the turning point experience you’ve been waiting for.

Get Ready for the Glass Craft and Bead Expo

Las Vegas, NV

April 3-7, 2019

Class Registration is Now Open

https://www.glasscraftexpo.com/instructor-list.php?search=lisa%20vogt#7

Join me for an exciting week for fun and fusing! Here’s my lineup of classes for 2019.

WE-16 - Fired Up! Fusing for the Adventurous

TH-08 - Painting with Frit

FR-18 - Breaking Through – Making Exhibition Quality Art

NEW SA-22 - Sculptural Fused Glass Art

NEW SU-01 - Gallery Quality Fused Glass Made Easy

Fusing for the Adventurous

April 11, 2019

https://www.glasspatterns.com/en/glass-patterns-quarterly-store/product/1211-fusing-for-the-adventurous-with-lisa-vogt-april-11-2019.html

Get ready to push boundaries, challenge trusted techniques and enjoy the thrill of limitless possibilities. Join me in this comprehensive hands-on webinar and learn how easily you can put tried and true methods to use in unlikely, innovative ways to create original art.

You’ll learn how to successfully employ different techniques to produce dramatic effects and take your work to an exciting, new level of sophistication.

Beginner and advanced fusers alike will find inspiration, motivation and renewed artistic freedom from the combination of techniques shown. In addition, you’ll receive a detailed outline with project specific guidelines and Lisa’s custom firing guides.

Armed with your newfound skills, you’ll be eager to experiment and incorporate these techniques to turn your creative visions into reality. You’ll have the burning desire, and the cool confidence, to take your passion to greater heights.

Learn at home at your own pace. Instructional Videos are here!

Available here: http://www.lisavogt.net/shop.aspx?id=40

Check out my writer’s website.

Lisa J. Vogt

Great glass work is the product of a strong foundation and knowledge base. So, let’s go back to the basics and make sure you’re clear on the fundamentals that produce consistent, high quality artwork.

Fusing Fundamentals-Beyond Basics

Wherever you are in your glass fusing journey, newbie or advanced artisan, I believe we can all benefit from reviewing construction basics on occasion. Here’s why:

Excited newbies are usually so eager to cut glass that they don’t really hear the guidelines and they lack the experience to realize the relative importance of these recommendations on their finished project. While advanced crafters are absorbed in the creative process and the end result, to the point that they can go blind to the practicality of solid construction.

Then there are those dare devils who’ve stumbled onto glass fusing and are immediately hooked. They dive right in giving little, if any, consideration to protocol. You know who you are. You fire first and ask later.

No matter how you came to call yourself a fuser, this is for you.

Let’s start at the beginning.

Glass Fusing- Defined

Glass fusing is the process of taking compatible glass, stacking it to make a pattern or design and then firing it in a kiln until the glass melts together. Simple, right? Now, let’s build from there.

Glass Fusing Fundamentals

Volume Control – The Foundation for Quality Work

What is volume control, and why is it important?

Volume control is the relationship between how a project is assembled and its finished size, shape and thickness after fusing. It’s a formula you can use to accurately predict how your project will look and feel after it’s been fired.

Let’s say you want to fuse a series of glass tiles to make a back-splash for your kitchen. But you can only fit 20 tiles in your kiln at one time, and you need 200 tiles to complete the job.

With what you’ll soon learn about volume control, every tile from the first to the last will match beautifully. Or, let’s say you have a tropical fish pattern you’d like to work into a larger project. Here, the size and shape of the finished piece is very important to you. If the fish shrinks or grows in size, it could ruin the entire design.

Another thing to consider, is whether or not you intend to slump your fused glass. The fused glass must fit neatly inside the mold, not on the rim, or it will slump unevenly to one side. This is where volume control comes into effect. With it, you’ll know how to compensate for any potential growth in advance of fusing your glass. (A good rule of thumb is to measure the mold and then cut your glass ¼ inch to ½ inch smaller than that measurement.)

You have choices when it comes to how to assemble your projects. Different methods of construction will result in different project characteristics. Our goal here is to give you the tools to make educated decisions when selecting your technique so you have greater control and more satisfying results.

How Glass Reacts to High Heat

Fused glass seeks a thickness of ¼ inch. That means a project made with a single layer of 1/8” thick glass will shrink. When it shrinks, the edges roll in and can become sharp. This shrinkage causes inconsistencies in the glass thickness. It’s usually surprisingly thick around the perimeter and thin in the middle. A project made by layering two pieces of 1/8” thick glass is likely to retain its original size and shape and will have a consistent thickness throughout. While a project made by layering three pieces of 1/8” thick glass will grow. When it grows, the shape distorts, and a square becomes a bad circle.

Before starting a project, ask yourself how it will be used. If it’s an ornament, a single layer might be your best method of assembly due to the loose, freeform shape and its light weight. If the piece is intended to be a decorative bowl, the two-layer assembly would be my choice. It has a clean, rounded edge quality and is consistent in thickness throughout. Now, if I were making a patterned sheet of glass to cut up with my saw, I’d go for the three-layer approach. In this example, the finished size and shape of the fused glass blank is irrelevant because the fused glass will be cut up.

How the placement of accents effect the size and shape of fused glass.

My Building Process

Most of my work is assembled with the two layer, plus accent method. I refer to the bottom layer as the base and the second as the design layer. The base layer and design layer are the same shape and size. The base layer is often a single piece of clear, but not always; sometimes it’s made up of cut pieces. The second design layer can be a single piece of glass, but often, its pieces fit together to make a specific pattern or design. The third accent layer is minimal, and it usually consists of small fusible elements that enhance the design theme. I choose to build this way because I get consistent results time after time. The finished size and shape of the artwork is predictable. The pieces come out of the kiln with beautiful rounded edges and a consistent thickness that is both attractive and durable.

It’s All Good

Keep in mind, there’s no single right or wrong way to make any project. Personal preference, design style and function, should all play a role in helping you decide which approach is best. The objective is to consciously choose your fabrication method based on a solid understanding of the medium, rather than on a whim.

There are always exceptions to the rules. The minute I make finite rules for myself, I break them. So, I’ve learned not to box myself in. You shouldn’t either.

Enjoy the journey. The destination will take care of itself.

Here’s to Happy Fusing!

Lisa

Follow my blog for more tips and tricks!

Artist Website www.LisaVogt.net
YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Author Website https://lisajvogtcom.wordpress.com/

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/